Books/Movies

Roads to Koktebel

颐光 2017. 5. 20. 20:43


A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's ... See full summary »

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Storyline

A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's sister. After they are stopped by a train guard, they continue their travel on foot. The father battles against his alcohol addiction and the son is fascinated with the idea of flight. one rainy day an old man accepts them in his house in return for the repair of the roof. The father gives in to the alcohol offered by the old man, who in a drunken brawl accuses him of stealing money and shoots him. A young female village doctor takes care of him and a romantic relationship between the two ensues. The father feels reluctant to continue the journey. The son leaves alone and a truck driver gives him a ride to Koktebel. However, his aunt has left for the summer.
바닷가 마을 콕테벨 2003에 대한 이미지 검색결과바닷가 마을 콕테벨 2003에 대한 이미지 검색결과바닷가 마을 콕테벨 2003에 대한 이미지 검색결과

User Reviews

 
Very calm and very real film.
5 March 2005 | by (Plovdiv, Thrace, Bulgaria) – See all my reviews

One should be in a relaxed mood when going to see this film. Be there to tranquilly cherish the moments of life and the film will open itself and offer you all its hidden prizes.

Someone mentioned the landscapes are bleak... The film is isomorphic to its landscapes. Bleak and lovely at the same time. Little bit depressing for those who choose to stay at a distance, to look at (film or landscapes) as at exhibits. For those who step in, it becomes precious in its touching ugliness. As you enter, ugliness is redefined. We are able to adore and love what we thought ugly before when we lived in the world bombarded by artificially selected beauty. We appreciate the naturality, the simple yet awkward reality of landscapes, of characters and of situations. The directing and actors are both excellent and succeed to achieve this reality so difficult to balance on screen!

There isn't more talk than necessary, more expression of emotions or velocity of thought than a real living person would allow - not any of the tricks directors have to use to keep us interested. Yet the film is not boring. Because we can feel and understand the characters on screen as fully as we can a human being next to us! We can recognize little parts from the happening in the memories of our own life.

Memories otherwise we'd never pay attention to.


Estradas para Koktebel (Roads to Koktebel, 2003) - Leg. [PT/BR | EN/US] PARTE 1

Estradas para Koktebel (Roads to Koktebel, 2003) - Leg. [PT/BR | EN/US] PARTE 2/FINAL

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