Stars:
Cillian Murphy, Pádraic Delaney, Liam CunninghamStoryline
In 1920, rural Ireland is the vicious battlefield of republican rebels against the British security forces and Irish Unionist population who oppose them, a recipe for mutual cruelty. Medical graduate Damien O'Donovan always gave priority to his socialist ideals and simply helping people in need. Just when he's leaving Ireland to work in a highly reputed London hospital, witnessing gross abuse of commoners changes his mind. he returns and joins the local IRA brigade, commanded by his brother Teddy, and adopts the merciless logic of civil war, while Teddy mellows by experiencing first-hand endless suffering. When IRA leaders negotiate an autonomous Free State under the British crown, Teddy defends the pragmatic best possible deal at this stage. Damien however joins the large seceding faction which holds nothing less than a socialist republic will do. The result is another civil war, bloodily opposing former Irish comrades in arms, even the brothers.User Reviews
The truth hurtsSaw it at private screening too.
Editorial from a Cork newspaper sums it up well:
This wind shakes more than barley
In
Ireland we are in rare position internationally when it comes to our
media. Most of what we read, listen to and watch is usually interpreted
in two perspectives, through our own media and through that of our near
neighbours across the Irish Sea. There are other instances of large and
small neighbours with a common language (Germany and Austria; USA and
Canada; Australia and New Zealand), but nowhere is the penetration of
the larger nation's media into the neighbouring market as pronounced as
it is in Ireland. Viewership of UK TV stations and readership of UK
owned newspapers in Ireland is at a level that makes them as significant
to our view of the world as our own media. This breeds a familiarity
with our neighbours that can make us Irish assume the British know as
much about us as we do about them. Nothing could be further from the
truth however as has been graphically illustrated by the reception given
in Britain to Ken Loach's Palme d'or winning movie The Wind that Shakes
the Barley. There is no question that this film makes the British
forces look bad, but of course the reality as all Irish people know is
that they were. In the UK normally reasonable and intelligent reviewers
and commentators cannot cope with this depiction of occupying British
forces as violent repressors of a largely defenceless native population.
It has been described as unbalanced and portraying the valiant British
soldiers in an unfair and unflattering light. The truth is that the vast
majority of British citizens couldn't tell you where Galway is and why
should they? They're ignorance of their own colonial past so close to
home and denial of it shouldn't surprise us; it is not something to be
proud of. This is not to attack Britain, but to remind Irish readers of
UK newspapers and viewers of UK television that Britain is indeed a
foreign country. They view the world through an entirely different
perspective than us, and in truth our views are inconsequential to them.
That's why Loach's film, which tells essential truths, will not get a
general release in the UK. Despite the fact that Anglo-Irish relations
are probably better now than they have ever been the truth about
Britain's history in Ireland is something that they just aren't ready
for, and probably never will be.
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